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A waveform with harmonics of 200 300 and 500 Hz is going to sound pretty consonant, because the harmonics are in simple whole-number ratios to each other. So for example, if you had a waveform with harmonics at 200, 300 and 500 Hz in it, and you amplitude modulated that signal with a sine waveform of 30 Hz, your result would be 230, 330, and 530 Hz (the sums of the frequencies) as well as 170, 270 and 470 Hz (the differences of the frequencies).
#Sonic charge plus
When two signals amplitude modulate each other, you get the sums and differences of the frequencies involved, plus the original signals. The old-school interface design is elegant in its simplicity, but clearly shows the power contained behind the faceplate.įrequency shifting itself is a subset of amplitude modulation. I’ve had an emulation of the Bode Frequency Shifter in my Arturia Modular V for a number of years now, but by adding all these new capabilities to the original Bode design, Sonic Charge have moved the use of a frequency shifter to a whole new level.
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#Sonic charge Patch
Echobode may be a software emulation of one hard-wired effects patch, but it’s a very powerful and flexible patch with many possibilities.
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Flanging, filtering, reverb, phase shifting, frequency shifting, and panning effects are all possible with the module, as are any number of combinations of these. It comes with over 200 factory patches, and at least half that number are required just to show the basic capabilities of the machine, there are just that many possibilities in the basic setup. In the few days that I’ve had it, and been playing with it, I’ve had a lot of sonic fun. (VST/AU Mac/PC $44US + VAT if applicable). Here is the circuit diagram for the module:Įchobode started out life as a Rack-extension for Reason, but it proved so popular with Reason-users that Sonic Charge decided to release it as a separate plugin. In short, this is a very versatile effect unit, one that more closely resembles a collection of modules patched together in a very interesting manner than a single effect. All of this power is placed in a feedback loop, which gives even more power to the combined modules. (In fact, I had sketched out a sound modification box similar to this during the 80s, but never got around to building it, so I was delighted when I saw that they had done it.) Their latest offering is Echobode, which combines a digital delay, feedback, a phaser, a “smear” (another kind of phase modification), a high-pass/low-pass filter pair, and a faithful emulation of Harald Bode’s classic Frequency Shifter, a kind of specialized amplitude modulation module, along with a highly controllable LFO, which can modulate either the delay, the phaser, the Frequency Shifter, or the low-pass filter to make things more interesting. Permut8, in fact, is billed as an “Imaginary Vintage Digital Processor,” which means that it emulates sound modification capabilities that existed with the digital chips of the 80s, but which was, in fact, never built, although it could have been. From the highly unusual Synplant synthesizer plugin, which uses genetic techniques to evolve patches, through sound modification plugins like Bitspeek and Permut8, which started off as homages to older equipment and then got decidedly creative, their work tends towards the unusual side of sound design. Sonic Charge is a Swedish software company that makes very interesting and unusual plugins. Looking for a way to expand your sonic palette, at a very reasonable price, and have a lot of fun doing it? Then check out the offerings from Sonic Charge, and especially their latest offering, Echobode.